6.4.12

Christ Entombed


This week I’ve been helping my friend, sculptor Reed Armstrong, make a mold for a just-under-life-sized statue of the Good Shepherd. If all goes according to plan, the final statue will end up placed atop a church in a little town in Germany.

Mold making is messy and labor-intensive and actually destroys the original statue. While we were covering the statue with coats of rubber, burlap, and later plaster, I had a sudden realization of just how seasonally appropriate the work was.

In our house we do try to cover many of our images for the Lenten Season, but here I was taking this practice a step further and actually “entombing” an image of Christ, covering the figure in a “shroud” of burlap strips and then encasing it in the plaster, which is not unlike stone. (I can’t think of a corollary for the rubber).

To spin the metaphor out just a little further, after Easter we will break open the tomb and, after further laborious steps, the earthy clay statue will be replaced by a beautiful bronze version that will last forever.

3 comments:

Gaelen Mibeck said...

Cool! I can't wait to see more. Your previous statue was wonderful, and I daresay you'll impress us once again.

George Tautkus said...

The rubber is like the negative space between the shroud and Christ. Dark and cold. Symbolism complete! HA ha

George Tautkus said...

The rubber is like the negative space between the shroud and Christ. Dark and cold. Symbolism complete! HA ha